
Film connects
cultures & business
Not just
a festival.
A permanent European meeting point for Central Asian cinema, creative industries, diplomacy and business — activated for fourteen days across medieval Sighișoara.
Film brings the audience. Culture builds trust. Diplomacy opens doors. Business creates continuity.
14 days.
One country
at a time.
5–7 screenings daily, country focus, talks, business encounters and a Romanian closing film every evening.
02 / IndustryDeals after
the credits.
Film Market, Co-production Lab, curated B2B meetings and a business forum connecting Europe with Central Asia.
03 / PlaceThe city is
the venue.
Squares, courtyards and indoor halls are treated as a walkable cultural campus, subject to permits and technical audit.
Films that
travel.
A development list built around landmark Central Asian voices, international discoveries and a strong Romanian closing strand. Titles remain subject to rights and formal confirmation.
Harmony Lessons
Sunday
40 Days of Silence
The Light Thief
Joyland
Osama
Romania Every Night
One country.
One day.
Each day combines cinema, public culture, professional exchange and an evening gala — always ending with a Romanian film.
Voices with
gravity.
Headline invitations are linked to screenings, retrospectives, masterclasses or industry conversations — not ceremonial appearances alone.
Cristian
Mungiu
Guest of Honour, masterclass and Romanian gala anchor.
Adilkhan
Yerzhanov
Country Focus, retrospective and dialogue on contemporary Kazakh cinema.
Saodat
Ismailova
Women in Film, moving image, memory and Central Asian identity.
Aktan Arym
Kubat
Retrospective and masterclass on cinema, landscape and cultural memory.
Saim
Sadiq
Pakistan Gala and New Voices conversation.
Radu
Jude
Romanian Night and contemporary cinema dialogue.
What remains
after the credits.
The project is designed to leave co-productions, distribution relationships, tourism flows and investment conversations behind — not only attendance figures.
Sales agents, distributors, broadcasters, streamers, film commissions and service companies.
Selected projects, mentorship, pitch training and curated one-to-one meetings.
Trade, tourism, technology, creative industries, logistics and investment.
Embassies, ministries, cultural institutes, universities and national delegations.

14 days.
One medieval city.
A stage that
already exists.
The festival is conceived as a walkable city experience. Exact venue use, capacities and technical conditions remain subject to formal approval, heritage constraints and technical audit.
Save what
moves you.
Build a personal shortlist of proposed films directly in your browser. No account, no database — your selections stay on your device.
Countdown without false precision.
The public countdown activates only after the festival dates are formally confirmed. Until then, the site communicates the project stage transparently.

Joyland
Proposed selection / rights TBCA continent
in chapters.
Each country page explains the curatorial and strategic reason for its presence — not only which films might screen.
Kazakhstan
Steppe / New Cinema
Uzbekistan
Silk Road / Memory
Kyrgyzstan
Mountain Cinema / Literature
Tajikistan
Poetry / Border / Memory
Turkmenistan
Heritage / Discovery
Pakistan
Cinema / Creative Industries
Four ways
into GHFF.
A prototype pass architecture separates audience access from professional accreditation while keeping one coherent festival experience.
Cinema Pass
Film screenings / public talks
Industry Pass
Film Market / Co-production / selected talks
Business Pass
Business Forum / B2B / networking
Delegate / VIP
Gala / protocol / selected closed events
Walk the
festival.
A dedicated campus interface turns the city-wide concept into an understandable visitor journey while keeping all venue claims provisional.
Open the
campus map.
Cinema, gala, public village, industry and nightlife as a walkable planning system.